It is often assumed that habits and aesthetic experiences are fundamentally and irreconcilably opposed. Typically, aesthetic experiences are considered to necessitate non-habitual behavior and to provoke unexpected mental states and extraordinary affective sensations. This article challenges this assumption. Moving beyond potential structural analogies between habitual behavior and aesthetic experience, I focus on two key aspects. Firstly, I argue that the experience of beauty and aesthetic experiences in general actually depend on certain habits, specifically those engaged in aesthetic agency and appreciation, (...) which I term «aesthetic habits». Secondly, I propose that habits have an aesthetic origin, as they virtuously evolve and adapt to their environment. This transformative capacity, along with their ability to resonate with specific situational demands, embodies an improvisational quality that should be encouraged, reflecting the inherently unpredictable and uncontrollable nature of aesthetic experience. (shrink)

The expressive nature of musical improvisation is dissected, navigatingbetween two predominant theses: The Transparency Thesis (1) which proposes thatexpressiveness in improvisation transparently reflects the musician’s subjectiveaffectivity, and the Objective-Generic Expressiveness Thesis (2) asserting that ithinges only on the musicpractice’s objective components. This article challenges boththeses, arguing against (1) by emphasizing that musical expressivity transcends a merenatural outburst, and counteracting (2) by highlighting that it is not merely anenactment of objective expressive topoi. Introducing a novel perspective through theconceptual pair of (social) (...) Habitusand (individual) habit, a third stance is defended:the specific expressiveness in improvised music is significantly impacted by itsimprovisational quality, whereby the expressiveness emerges from the manipulationand transformation of an expressive Habitus within the musical performance’scontingent situation. (shrink)

The contemporary debate in philosophy of music about the ontological status of musical works seems sometimes to have little to do with actual musical practices and experiences. As Lydia Goehr observed (1992) the danger is here very high that the competing theories remain unrelated to the actual practices they should explain. It is difficult to understand why elaborating complex conceptual systems for answering the ontological question “What is a musical work?” is worthwhile, if, aside from discrepancies between scores, which may (...) be often rectified through philological examination, the identification of a certain performance as performance of a certain work is normally not problematic in the central case. Better and more interesting is to search for aesthetic reasons that can explain why, to which degree, regarding which aspects (and so on), a certain performance is good, bad, exciting, innovative, moving, insipid and so on, and to be preferred to other performances of the same work. (shrink)

The legacy of the Platonic dialogues may well lie, not in any classical idealist “doctrine of forms,” but in an inquisitive stance towards the puzzle behind any such doctrine—how thought can be about anything at all. This Platonic puzzle may, however, yield a different guise of idealism that is recognizably diagnostic: it aims to dispel our worry about thought’s objectivity as a confusion, engendered by a self-alienation of thought. These themes of diagnosis and idealism resurface in Wittgenstein, who in his (...) treatment of rules calls for an understanding of thought’s normativity from within. This is taken up by Cora Diamond, who urges philosophy to attend to thought’s real needs by exorcizing any desire for agreement with something other than itself. I argue that Wittgenstein and Diamond lead us back to Kant’s idealism, which identifies transcendental realism as the deep-seated prejudice at the root of the puzzle. (shrink)

This paper considers the issue of musical improvisational interactions in the digital era by pursuing the following three steps. 1) I will raise the question of the meaning and value of liveness, and in particular of live musical improvisation, in the age of the internet and discuss some effects of the so called digital revolution on improvisation practices. 2) Then I will suggest that the interactions made possible by the web can be understood as kinds of live improvisational practices and (...) I will briefly outline how such practices also involve musical improvisation. 3) Finally, I will focus on some aesthetic and philosophical aspects of new kinds of live improvisation made possible by recent progress in artificial intelligence research. (shrink)

In questo articolo prenderò spunto da due affermazioni attribuite a Miles Davis per discutere un aspetto importante di quello che l’improvvisazione ci insegna sulle pratiche umane: situazioni impreviste, magari indesiderate, possono risultare stimoli sorprendenti per l’esercizio della creatività, anziché restare elementi di disturbo o solamente semplici errori. Questo esercizio di creatività è il modo in cui costruiamo ordini normativi nelle nostre pratiche, artistiche e non.

This article explores the role of habits in shapingaesthetic normativity. It asserts that standards of value within aesthetic agency are not immutable, objective criteriadetached from personal engagement in appreciationand creation, nor should they be reduced to mere individualsubjective pleasure. The former stance fails to consider theessential expressivity and creativity at the heart of aestheticpractices, while the latter overlooks the normative frameworkthat underpins the significance, validity, and qualityof aesthetic agency. This framework is represented in theestablished rules of taste, the need for (...) aesthetic education,and the dynamics of aesthetic disagreements. Consequently, effective aesthetic normativity requires abalance: practices must be organized structurally aroundvalues that are, to a certain degree, communally shared, yetflexible enough to incorporate the expressive creativity ofindividual appreciation. This article contributes a nuancedexplanation of aesthetic normativity by elucidating the impactof habits on aesthetic practices. (shrink)

Kant scholarship often refers to transcendental idealism as a ‘theory.’ Kant’s project, however, is not easily reconciled with that term in its current use. This paper contends that his critique and idealism should be seen as a remedial response against our natural albeit confused prejudice of transcendental realism. Kant’s idealism articulates a ‘metametaphysical’ ethos that is supposed to provide a new grounding of metaphysics by proceeding ‘from the human standpoint:’ it aims to dispel the temptation of transcendental realism in favor (...) of a resolute inhabitation of, and contentment with, our own humanity. This project comes under pressure in post-Kantianism: Fichte is among the first to voice the worry that Kant’s critique is well-intentioned, but not well-executed. His concern is that, while it ‘bring[s] man into harmony with himself,’ this mere contentment with our own humanity will not suffice to achieve the scientificity that, by Kant’s own lights, is the mark of any promising metaphysics. Fichte’s charge is that Kant’s idealism, in its very confinement to the brute facts of the human condition, surrenders itself to unacceptable contingency or ‘facticity.’ The paper explores Kant’s idealist project of grounding metaphysics, Fichte’s facticity charge against it, and whether Kantian idealism can withstand it. (shrink)

A leading classical utilitarian, John Stuart Mill is an unlikely contributor to the public reason tradition in political philosophy. To hold that social rules or political institutions are justified by their contribution to overall happiness is to deny that they are justified by their being the object of consensus or convergence among all those holding qualified moral or political viewpoints. In this chapter, I explore the surprising ways in which Mill nevertheless works to accommodate the problems and insights of the (...) public reason tradition, and the extent to which he makes arguments that can help those working within that tradition. Mill’s utilitarian theory incorporates the claim that the demands of social life require a publicly accepted set of normative expectations to govern judgments about when one has met one’s obligations and, relatedly, about the appropriateness of blame or punishment. (shrink)

El tema del presente texto es la cuestión del estatuto ontológico del arte y del papel que, con respecto a tal estatuto, juega la relación entre arte y poder político. Para ello voy a traer a colación las obras de dos autores clásicos en este tema: Las cartas sobre la educación estética de la humanidad (1795) de J. C. F. Schiller, y el H. Marcuse de los escritos sobre la dimensión estética, en particular de los ensayos titulados La dimensión estética (...) (1978), Ensayo sobre la liberación (1969) y Arte y revolución, que es un capítulo del libro Contrarrevolución y revuelta (1972). Se trata de textos muy vinculados a las épocas en las cuales fueron escritos, los años sucesivos a la Revolución francesa en el caso de Schiller, y, por lo que concierne a Marcuse, los años de los movimientos libertarios juveniles de protesta, es decir, los años sesenta y setenta del siglo pasado. En ellos, sin embargo, y como en todo buen clásico, aparecen temas y argumentaciones que todavía hoy constituyen una buena herramienta para discutir filosóficamente la relación entre arte, estética y política. (shrink)

The essays in this volume investigate the question of where, and in what sense, the bounds of intelligible thought, knowledge, and speech are to be drawn. Is there a way in which we are limited in what we think, know, and say? And if so, does this mean that we are constrained—that there is something beyond the ken of human intelligibility of which we fall short? Or is there another way to think about these limits of intelligibility—namely, as conditions of (...) our meaning and knowing anything, beyond which there is no specifiable thing we cannot do? -/- These issues feature prominently in the writings of Kant and Wittgenstein who each engaged with them in unique and striking ways. Their thoughts on the matter remain provocative and stimulating, and accordingly the contributions to this volume address the issues surrounding the limits of intelligibility both exegetically and systematically: they examine how they figure in Kant’s and Wittgenstein’s most significant works and put them in touch with contemporary debates that are shaped by their legacy. These debates concern, inter alia, logically and morally alien thought, the semantics and philosophy of negation, disjunctivism in philosophy of perception and ethics, paraconsistent approaches to contradiction, and the relation between art, literature, and philosophy. The book is divided into four parts: Part I gives a first assessment of the issues, Part II examines limits as they feature in Kant, Part III as they feature in Wittgenstein, and Part IV suggests some ways in which the questions at issue might be reconsidered, drawing upon ideas in phenomenology, dialetheism, metamathematics, and the works of other influential authors. -/- Limits of Intelligibility provides insight into a theme that is central to the thought of two of the most important figures in modern philosophy, as well as to recent metaphysics, philosophy of language, philosophy of logic, epistemology, and ethics. (shrink)

A fine Settecento, quando l’ingresso della musica nel «sistema delle arti» era un evento ancora recente, il fondatore della Allgemeine Musikalische Zeitung, Friedrich Rochlitz, individuava il motivo della maggiore discrepanza nei giudizi in materia musica le rispetto alle altre arti nel fatto che essa sarebbe priva di punti di riferimento visibili. «La musica», egli affermava, «nulla ha divisibile (Sichtbares) cui si possano confrontare le sue opere, o da cui possa scaturire una qualche concordanza nelle valutazioni». Mentre per esempio possiamo valutare (...) la differenza di valore tra due raffigurazioni di una rosa perché abbiamo visto la rosa reale, nella musica, argomentava Rochlitz, dobbiamo affidarci alla nostra sensibilità introspettiva, il che rende il compito del giudizio assai difficile. Non intendo qui commentare questo argomento. Piuttosto mi interessa mettere in discussione l’idea che la musica non abbia a che fare con la dimensione del visibile. Anche dando per scontata l’idea che la musica sia un’arte, o un campo di pratiche, legato in modo fondamentale ai suoni e all’ascolto, non è inutile interrogarsi sul contributo della dimensione visiva all’esperienza musicale. Questo articolo presenterà quindi alcune considerazioni circa gli aspetti visivi della produzione e della ricezione della musica. La prima parte concerne la possibilità di visualizzare l’opera intesa come tipo ideale strutturale. La seconda parte discute il ruolo della visione nell’esecuzione delle opere musicali. La terza parte si sofferma brevemente sul ruolo della visualizzazione immaginativa e del vedere performativo nelle pratiche dell’improvvisazione. La conclusione propone un rapido riferimento all’iconologia musicale. (shrink)

Gianni Vattimo ha elaborato l’estetica e la teoria dell’arte del «pensiero debole» soprattutto in alcuni articoli pubblicati nella «Rivista di Estetica» (della quale è stato direttore). Parte di questi saggi è stata poi raccolta nella seconda sezione di una delle sue opere centrali, La fine della modernità, sezione intitolata, significativamente, La verità dell’arte. Le diverse questioni discusse da Vattimo sono infatti attraversate dal filo conduttore del problema della verità dell’arte, nell’epoca del nichilismo, della fine della storia e del mondo estetizzato (...) dei mass media. Attraverso una lettura teoreticamente produttiva di M. Heidegger e F. Nietzsche, ma anche – come si vedrà – di certe pagine kantiane, e al contempo “indebolendo” l’ermeneutica di H.-G. Gadamer (ma anche quella di L. Pareyson),Vattimo affronta la questione dell’arte, della sua verità, del suo significato, del suo statuto ontologico, mettendo anzitutto in questione la domanda “che cos’è l’arte?” che molti studiosi, sia in ambito “analitico”, sia in ambito “continentale”, pongono al centro della riflessione estetica. Ha infatti senso, oggi, chiedersi «che cos’è l’arte?», cercando di fornire una definizione che restituisca l’ontos on, l’essenza dell’arte? O è proprio il fatto di presumere la possibilità di offrire una definizione a costituire il vero problema, in quanto tale assunzione presuppone già un determinato modo di pensare il mondo, modo di pensare che, storicamente, si è costituito come la metafisica occidentale? E se nel post-moderno la metafisica occidentale viene decostruita da un pensiero e da prassi vitali che ne mettono in crisi le griglie concettuali, ne sovvertono gli ordini e le tassonomie, esibendone così l’infondatezza, com’è possibile definire, pensare e praticare l’arte e l’estetica, che sono categorie impiantate solidamente nelle strutture della metafisica? (shrink)

In this paper I suggest that we look to improvisation in order to understand artistic creativity. Indeed, instead of being anti-artistic in nature, due to its supposed unpreparedness, inaccuracy, and repetitive monotony, improvisation in art exemplifies and 'fuels' artistic creativity as such. I elucidate the relationship between improvisation and artistic creativity in four steps. I discuss the concept of creativity in general (I) and in reference to art (II). Then I focus on the properties and the phenomenology of improvisation (III). (...) Finally, I explain why improvisation can be understood as an exemplifying instance of art creativity (IV). (shrink)

Rhythm: definition and philosophical accounts.

This paper addresses the question of whether all that unites the main parts of John Stuart Mill’s On Liberty—the liberty principle, the defense of free discussion, the promotion of individuality, and the claims concerning individual competence about one’s own good—is a general concern with individual liberty, or whether we can say something more concrete about how they are related. I attempt to show that the arguments of On Liberty exemplify Mill’s institutional design approach set out in Considerations of Representative Government (...) and related works. Mill’s approach reflects both his debt to Bentham and his own progressive development of the utilitarian tradition. The paper proceeds by setting out the elements of Mill’s institutional designs and then showing that On Liberty neatly applies them, thereby clarifying the structure of the arguments of On Liberty. (shrink)

Joseph Persky's excellent book, The Political Economy of Progress: John Stuart Mill and Modern Radicalism, shows that J. S. Mill's support for socialism is a carefully considered element of his political and economic reform agenda. The key thought underlying Persky's argument is that Mill has an ‘evolutionary theory of justice’, according to which the set of institutions and practices that are appropriate to one state of society should give way to a new set of institutions as circumstances change and the (...) people themselves improve. However, Persky does not spend a great deal of time discussing Mill's theory of reform, in particular the principles he believes should guide our reform efforts. Reflecting on these principles – notably his principle of impartiality or equal treatment – shows the consistency of Mill's thought over time. (shrink)

In recent years, the concept of habits has emerged as a focal point within international philosophical discourse, particularly through historical, theoretical, and empirical lenses encompassing and integrating, among others, philosophical, psychological, neuroscientific and sociological perspectives. Habits, understood as dispositions that facilitate individual and social activities, influence everything from mundane daily practices to highly specialized skills. They shape the interaction between organism and en- vironment, playing a pivotal role in personal and collective identity formation, cultural education, social coordination, organization and change, (...) and the manifestation of political engagement. However, the exploration of habits within the realm of aesthetics is a relatively new and intriguing domain. This special issue of “Aisthesis” seeks to bridge this gap by examining the intricate relationship between habits and the aesthetic life. (shrink)

The idea that art is related to a process of creation is a modern one. Through a complex history in the $)th century, which is not without contradictions, the connection between art and creativity was debated in different fields – psychology, epistemology, cognitive science, etc. – and became the target of attacks from marxism and (post-)structuralism. Still, the notion of creativity seems to have conserved its force not only in everyday practices but also in media discourses. In diverse areas – (...) from art theory to epistemology, from action theory to economics, from computer science to psychology (to give only a few examples) – it has regained the attention of scholars as well, as is made clear by the number of recent publications on the topic. However, questions remain as to whether and how the notion of creativity can be used and what kind of conceptual work it can do. Trópos dedicated a call for papers to this topic. Selected papers are published in two special issues. The present one includes essays offering theoretical investigations on creativity. They do this under different, even contrasting, perspectives, with different aims and with di5erent outcomes. Yet, the light they throw on the question at issue provides readers with important, often creative, insights. Through them, readers are invited to think creatively, as well as critically, on creativity and its connections with the arts and aesthetics. (shrink)

A comprehensive draft overview of John Stuart Mill's public life and philosophy, including discussion of: 1. A System of Logic. – 2. The Greatest Happiness Principle. – 3. Progress, Liberty, and Democracy. – 4. Equality. – 5. India and Empire. – 6. Distribution, Socialism, and Sustainability.

My aim in this chapter is to place John Stuart Mill’s distinctive utilitarian political philosophy in the context of the debate about luck, responsibility, and equality. I hope it will reveal the extent to which his utilitarianism provides a helpful framework for synthesizing the competing claims of luck and relational egalitarianism. I attempt to show that when Mill’s distributive justice commitments are not decided by direct appeal to overall happiness, they are guided by three main public principles: an impartiality principle, (...) a sufficiency principle, and a merit principle. The question then becomes how luck and relational considerations figure into his articulation of these public principles. I argue that relational egalitarianism is more fundamental than considerations of luck and responsibility in Mill’s thought, but I also hope to show that any fleshed out picture of Mill’s reform proposals must recognize his condemnation of the role luck plays in determining the distribution of opportunities and outcomes. (shrink)

Gli studi qui raccolti mostrano dunque come il riutilizzo di materiale musicale preesistente all’interno di una nuova composizione, a volte frettolosamente condannato come un plagio, produca risultati creativi, realizzandosi in moltissime forme nate dalle più varie radici: si può parlare così di una comunanza di visione tra compositori diversi, o dell’appartenenza (consapevole o inconsapevole) di un certo autore alla propria tradizione, oppure del suo cosciente far riferimento a una tradizione specifica, magari appunto con l’intenzione di trasfigurarla, o ancora dell’applicazione di (...) un metodo creativo consistente nella realizzazione di immagini delle musiche del passato... e questo elenco potrebbe continuare ulteriormente. In generale, ciò che emerge da questi contributi è insomma che ci sono moltissimi casi e contesti in cui «rubare» la musica non è (o non dovrebbe essere considerato) certamente un furto: questo succede quando, come accade molto spesso, «rubare» la musica è non soltanto l’involontaria assimilazione dell’apporto creativo di un altro artista o il modo per veicolare culture o tradizioni musicali che altrimenti potrebbero cadere nell’oblio, ma anche un autentico contributo alla trasmissione creativa del sapere musicale e a nuove ulteriori creazioni. (shrink)

This article is part of a symposium on Bruce Cain's "Democracy More or Less: America’s Political Reform Quandary." It identifies the basic normative framework of Cain's skeptical "reform pluralism" as a form of democratic instrumentalism rather than political realism, and then argues that a more optimistic instrumentalist alternative is available. The instrumentalist can accept that more democracy need not entail better democracy. But the instrumentalist account of better democracy also gives us reason to believe that significant reform efforts remain worth (...) pursuing, for the simple reason that some of them have worked in the past. (shrink)

This draft entry is a brief overview of John Stuart Mill's moral and political philosophy, with an emphasis on his views on religion, for the Encyclopedia of the Philosophy of Religion (Wiley-Blackwell).

Written in 1949, La Scoperta di Marx was first published in 1958 in Pier Paolo Pasolini, L'usignolo della Chiesa Cattolica (Editore Longanesi). It is published here, along the first English translation of the poem, with the permission of Garzanti Libri.

The notion of schema has been given a major role by Recanati within his conception of primary pragmatic processes, conceived as a type of associative process. I intend to show that Recanati’s considerations on schemata may challenge the relevance theorist’s argument against associative explanations in pragmatics, and support an argument in favor of associative (versus inferential) explanations. More generally, associative relations can be shown to be schematic, that is, they have enough structure to license inferential effects without any appeal to (...) genuine inferential processes. Associative processes are thus able to explain a number of pragmatic and linguistic phenomena which have instead been thought to require specialized inferential processes. (shrink)

In this paper, we identify a class of responses to cases of manipulation that we label manipulator-focused views. The key insight of such views is that being subject to the will of another agent significantly affects our freedom and moral responsibility. Though different authors take this key insight in different directions, and the mechanics of their views are quite different, these views turn out to share many key components, and this allows us to discuss several authors’ views at the same (...) time, highlighting a variety of challenges for such views and helping to identify pitfalls to avoid in further developments of views of this type. Moreover, as we survey manipulator-focused views and the challenges that plague them, we go beyond the typical problem cases for such views—natural force variations of manipulation cases—and introduce several new manipulation cases. We conclude by comparing the prospects for this family of views with its main rival, namely bypassing views. (shrink)

As biological and biomedical research increasingly reference the environmental context of the biological entities under study, the need for formalisation and standardisation of environment descriptors is growing. The Environment Ontology (ENVO) is a community-led, open project which seeks to provide an ontology for specifying a wide range of environments relevant to multiple life science disciplines and, through an open participation model, to accommodate the terminological requirements of all those needing to annotate data using ontology classes. This paper summarises ENVO’s motivation, (...) content, structure, adoption, and governance approach. (shrink)

The standard view of classical cognitive science stated that cognition consists in the manipulation of language-like structures according to formal rules. Since cognition is ‘linguistic’ in itself, according to this view language is just a complex communication system and does not influence cognitive processes in any substantial way. This view has been criticized from several perspectives and a new framework (Embodied Cognition) has emerged that considers cognitive processes as non-symbolic and heavily dependent on the dynamical interactions between the cognitive system (...) and its environment. But notwithstanding the successes of the embodied cognitive science in explaining low-level cognitive behaviors, it is still not clear whether and how it can scale up for explaining high-level cognition. In this paper we argue that this can be done by considering the role of language as a cognitive tool: i.e. how language transforms basic cognitive functions in the high-level functions that are characteristic of human cognition. In order to do that, we review some computational models that substantiate this view with respect to categorization and memory. Since these models are based on a very rudimentary form of non-syntactic ‘language’ we argue that the use of language as a cognitive tool might have been an early discovery in hominid evolution, and might have played a substantial role in the evolution of language itself. (shrink)

There is a confounding issue at the very heart of philosophical reflection. It is the question of where, and in what sense, the bounds of intelligible thought, knowledge, and speech are to be drawn. To inquire into these limits is to acknowledge that we are “finite thinking beings,” as Kant puts it. Indeed, one way of understanding our essentially problematic position in the world which leads us into philosophy is to view it as a position of being fated to the (...) perpetual attempt to reckon with the limits of intelligibility: we are creatures for whom it can become a live question how to make sense of thought, action, knowledge, the good life, the nature of self-consciousness, mortal existence, and so forth – and where this sense-making gives out. This introductory essay puts special emphasis on the ways in which we might fall prey to a confused and pernicious kind of self-deception or self-alienation in seeking a philosophical remedy to the limits of intelligibility. In modern times, no other thinkers have faced up to this troubling possibility of self-alienation with the same rigor and in such depth as Kant and Wittgenstein. (shrink)

In Philosophical Investigations §§185–201, Wittgenstein addresses an oscillation in our thinking about the nature of rules. He seems to introduce a problem—how do we follow rules?—, and a “paradox” in which it is rooted, in order to find a solution to them; only to then call the whole puzzle a “misunderstanding” after all. My contention is that this apparent friction can best be understood and resolved when we view it in light of Wittgenstein’s engagement with limits and limitations, and how (...) easy it is to confuse one with the other when thinking about human thought and language. This central bit of the frequently discussed “rule-following considerations,” then, is concerned not simply with matters of semantics, convention, or community, but rather with the question of a proper philosophical method for thinking about our life with language in general. When traced out, these few remarks elucidate a bifurcation in interpreting one of the central methodological themes in Wittgenstein. (shrink)

This is a review of a volume comprising 18 of Eckart Förster’s most important essays. Written between 1987 and 2022, all of them touch upon the theme of limits of cognition. Among the issues tackled are Kant’s Opus Postumum, Goethe’s project of a scientia intuitiva or science of the intuitive understanding, the significance of §§76–77 of the third Critique for post-Kantianism, the case for Hölderlin’s authorship of the Oldest System-Programme of German Idealism, and Hegel’s early ideas on logic and phenomenology. (...) My discussion of the volume focuses on three aspects. (i) I give a brief outline of its structure and goals; (ii) I investigate some of its highlights and central themes; and (iii) I place Förster’s picture of Kant and post-Kantianism within current scholarship and confront it with an alternative interpretive option: a reading of Kant as concerned with non-contrastive limits of cognition and intelligibility. (shrink)

This paper focuses on Schopenhauer’s On the Will in Nature (1836), a book which is generally underestimated by scholars interested in Schopenhauer’sphilosophy. This essay analyses its genesis in Schopenhauer’s manuscripts, examines its role in Schopenhauer’s thought and its relationship with The World asWill and Representation, and locates its content and meaning with reference to the philosophical and scientific context. Aim of the article is a better understanding of Schopenhauer’s treatise, and such a scope is pursued by accurate insight of its (...) central theme: the notion of Bestätigung, that is the scientific corroboration of the philosophical knowledge. (shrink)

Husserl’s phenomenology of imagination embraces a cluster of different theories and approaches regarding the multi-faced phenomenon of imaginative experience. In this paper I consider one aspect that seems to be crucial to the understanding of a particular form of imagination that Husserl names pure phantasy. I argue that the phenomenon of Ego-splitting discloses the best way to elucidate the peculiarity of pure phantasy with respect to other forms of representative acts and to any simple form of act modification. First, I (...) unravel the phenomenological distinctions which, respectively, oppose phantasy to perception, on the one hand, and phantasy to other forms of the so-called “intuitive re-presentations”. Second, I introduce the difference between presentative and representative acts, arguing that this cannot help us to single out the defining feature of phantasy experiences. The third section draws again an important distinction between pure phantasy and neutrality modification, which allows me to finally determine an internal trait of phantasy experiences, which Husserl refers to as the “Ego-splitting”. In this way, I hope to contribute to a refined characterization of Husserl’s phenomenology of imagination. (shrink)

Este texto pretende discutir, do ponto de vista kantiano, o que pode ser ensinado e o que pode ser aprendido em Filosofia. Seu objetivo é construir os argumentos hipotéticos de Kant em face do método estruturalista de leitura de textos filosóficos. Para circunscrever este tema, aparentemente muito amplo, tomaremos como fio condutor um célebre texto de aula de I. Kant, publicado por G. B. Jäsche sob o título Manual dos Cursos de Lógica Geral. Kant ministrou este curso por mais de (...) quarenta anos, até o término de suas atividades docentes em 1797, e nele apresenta considerações bastante fecundas e atuais sobre o ensino da História da Filosofia e sobre a formação do filósofo. A partir da distinção entre conhecimento histórico e conhecimento racional, e da distinção entre o conceito de filosofia na escola e o conceito de filosofia no mundo (AK 9:24), procuraremos apresentar as contribuições kantianas que podem ainda ser consideradas pertinentes para se discutir o modo de ensinar Filosofia e a formação do filósofo. (shrink)

Grice in pragmatics and Levelt in psycholinguistics have proposed models of human communication where the starting point of communicative action is an individual intention. This assumption, though, has to face serious objections with regard to the alleged existence of explicit representations of the communicative goals to be pursued. Here evidence is surveyed which shows that in fact speaking may ordinarily be a quite automatic activity prompted by contextual cues and driven by behavioural schemata abstracted away from social regularities. On the (...) one hand, this means that there could exist no intentions in the sense of explicit representations of communicative goals, following from deliberate reasoning and triggering the communicative action. On the other hand, however, there are reasons to allow for a weaker notion of intention than this, according to which communication is an intentional affair, after all. Communicative action is said to be intentional in this weaker sense to the extent that it is subject to a double mechanism of control, with respect both to present-directed and future-directed intentions. (shrink)

The aim of this paper is to present the copy principle from execution of the principle of separability for the purpose of elucidating the discussions conducted by Hume in understanding the composition of space and its implications for the sciences that operate with spatial constructions. The particular epistemic gain here is to do this within a model of empiricism. Given that there are several irregularities in the manner of analyzing a complex and extracting simple elements from it, as will be (...) demonstrated here, we seek to show that separating a complex considering its simple qualities and decomposing a complex to determine its simple quantities is completely different. Thus, we seek to show how Hume needed to recreate his own cognitive model, strongly based on noting our perceptions, to be able to use it to conceive the composition of space and the operations of geometry that must make reference to it. (shrink)

Il lavoro esamina criticamente i presupposti di cinque differenti approcci alla Scienza Cognitiva, (simbolico, connessionista, dinamico, della cognizione incarnata e della vita artificiale) e sostiene che tutti e cinque condividono tacitamente un’ipotesi metodologica molto generale. Tale ipotesi, che propongo di chiamare simulazionismo , postula che i fenomeni cognitivi di un qualunque sistema reale possono essere adeguatamente spiegati sulla base di opportuni modelli di simulazione del sistema stesso. Tuttavia, a causa della loro costituzione, i modelli di simulazione hanno forti limitazioni, sia (...) al livello descrittivo che esplicativo. Il limite descrittivo sta nel fatto che la corrispondenza fra i risultati di una simulazione e i dati relativi al fenomeno reale non è diretta e intrinseca ma, al più, indiretta e estrinseca. Il limite esplicativo consiste nel fatto che le spiegazioni supportate dal modello non sono mai compiute e realistiche ma, piuttosto, solo in linea di principio e romanzesche. Queste difficoltà potrebbero essere superate ricorrendo ai modelli Galileiani , costituiti da sistemi dinamici in cui ciascuna componente ha un’interpretazione precisa e definita, in quanto essa corrisponde ad una proprietà misurabile (grandezza) del fenomeno reale che il modello descrive. (shrink)

This paper treats of Husserl’s phenomenology of happiness or eudaimonia in five parts. In the first part, we argue that phenomenology of happiness is an important albeit relatively neglected area of research, and we show that Husserl engages in it. In the second part, we examine the relationship between phenomenological ethics and virtue ethics. In the third part, we identify and clarify essential aspects of Husserl’s phenomenology of happiness, namely, the nature of the question concerning happiness and the possibility of (...) a phenomenological answer, the power of the will, the role of vocation, the place of obligation, the significance of habituation, the necessity of selfreflection and self-criticism, the importance of sociability and solidarity, the impact of chance and destiny, and the specter of regret. In the fourth part, we establish the inextricable linkage between Husserl’s metaethics and his metaphysics. In the fi ft h part, we provide a provisional exploration of his conception of the connection between happiness and blessedness. We acknowledge that there is an extensive literature on Husserl’s phenomenological ethics, and our study has benefitted greatly from it, but we also suggest that our holistic approach critically clarifies his description of happiness, virtue, and blessedness by fully recognizing that his phenomenological metaethics is embedded in his phenomenological metaphysics. (shrink)

In this contribution, we formulate the thesis that the methodological criticism against Wolff raised by Kant in his early writings is fully justified only if one grasps the different philosophies of language in the two authors. Depending on the function performed by linguistic usage in the analysis of concepts, a certain relationship between word, concept and thing is determined, which conditions the success of the analysis itself. Since Wolff abandons the use of language as soon as he has reached the (...) degree of clarity and distinction of concepts, his definitions end up being inventions of meanings, constructions of concepts. This seems to be the reason why Kant emphasises that the only concepts that can be analysed are given, i.e. applied, concepts, and that words do not obtain their meaning except in linguistic use. In general, Kant appears to be averse to the technicalization of language, which distances the philosopher from the world that should be the object of their knowledge. (shrink)

The received view about emergence and reduction is that they are incompatible categories. I argue in this paper that, contrary to the received view, emergence and reduction can hold together. To support this thesis, I focus attention on dynamical systems and, on the basis of a general representation theorem, I argue that, as far as these systems are concerned, the emulation relationship is sufficient for reduction (intuitively, a dynamical system DS1 emulates a second dynamical system DS2 when DS1 exactly reproduces (...) the whole dynamics of DS2). This representational view of reduction, contrary to the standard deductivist one, is compatible with the existence of structural properties of the reduced system that are not also properties of the reducing one. Therefore, under this view, by no means are reduction and emergence incompatible categories but, rather, complementary ones. (shrink)

Introduzione alla raccolta di saggi di Rahel Jaeggi "Forme di vita e capitalismo", curata e tradotta da Marco Solinas. L'introduzione presenta una breve panoramica del pensiero dell'autrice e si sofferma sul suo progetto incentrato sulla critica immanente del capitalismo come forma di vita.

The purpose of this article is to examine two important issues concerning the agency theory of causality: the charge of anthropomorphism and the relation of simultaneous causation. After a brief outline of the agency theory, sections 2–4 contain the refutation of the three main forms in which the charge of anthropomorphism is to be found in the literature. It will appear that it is necessary to distinguish between the subjective and the objective aspect of the concept of causation. This will (...) lead, in section 5, to contrast two kinds of anthropomorphism, one which has been rightly rejected by modern science and one which is fully compatible with the objective reality of the causal processes. Finally, section 6 will apply the preceding considerations to simultaneous causation. On the one hand, in a basic sense, there can be no simultaneous causal relations. On the other hand, simultaneous causation arises when we consider the natural change by abstracting from the agent and from her/his projects of interven.. (shrink)

In this paper, I contend that there are at least two essential traits that commonly define being an I: self-identity and self-consciousness. I argue that they bear quite an odd relation to each other in the sense that self-consciousness seems to jeopardize self-identity. My main concern is to elucidate this issue within the range of the transcendental philosophies of Immanuel Kant and Edmund Husserl. In the first section, I shall briefly consider Kant’s own rendition of the problem of the Egosplitting. (...) My reading of the Kantian texts reveals that Kant himself was aware of this phenomenon but eventually deems it an unexplainable fact. The second part of the paper tackles the same problematic from the standpoint of Husserlian phenomenology. What Husserl’s extensive analyses on this topic bring to light is that the phenomenon of the Ego-splitting constitutes the bedrock not only of his thought but also of every philosophy that works within the framework of transcendental thinking. (shrink)

1. We sometimes angrily confront, pointedly ostracize, castigate, or denounce those whom we think have committed moral offences. Conduct of this kind may be called blaming behaviour. When genuine,...

The paper delves into the nature and origin of ideas, words, meanings, and language from the perspective of Indian mystics and philosophers Abhinavagupta and Sri Aurobindo. We begin with the Eastern viewpoint, commencing with the Vedic interpretation, in which the origin of all speech lies in the transcendent sound, known as the ‘Word’. Abhinavagupta delineates the genesis of words as a four-level process within consciousness, where mystic sounds gradually acquire concreteness in the form of human language. Sri Aurobindo extends this (...) insight by recognizing that all words stem from mind-impressions elicited by seed-sounds bearing psychological qualities. Moreover, according to Sri Aurobindo, the universe and its natural phenomena represent the expression of a creative transcendental Real-Idea, which serves as the foundation for all meanings, signs, words, and human language and Nature itself. Language, therefore, becomes an instrument for the expression of divine consciousness in manifestation. This comprehensive perspective transcends the confines of language philosophy, expanding into a universal spiritual outlook. Finally, it is shown how the integration of Western and Eastern philosophies reconciles many apparent inconsistencies within modern philosophy and science (especially in the philosophy of language, cognitive sciences, neuroscience, and AI.) This integral perspective surpasses a naturalistic viewpoint, providing a synthetic framework that unifies the diverse East-West philosophical positions. (shrink)

Cognitive Robotics can be defined as the study of cognitive phenomena by their modeling in physical artifacts such as robots. This is a very lively and fascinating field which has already given fundamental contributions to our understanding of natural cognition. Nonetheless, robotics has to date addressed mainly very basic, low­level cognitive phenomena like sensory­motor coordination, perception, and navigation, and it is not clear how the current approach might scale up to explain high­level human cognition. In this paper we argue that (...) a promising way to do that is to merge current ideas and methods of 'embodied cognition' with the Russian tradition of theoretical psychology which views language not only as a communication system but also as a cognitive tool, that is by developing a Vygotskyan Cognitive Robotics. We substantiate this idea by discussing several domains in which language can improve basic cognitive abilities and permit the development of high­level cognition: learning, categorization, abstraction, memory, voluntary control, and mental life. (shrink)

AI-based technologies are increasingly pervasive in a number of contexts. Our affective and emotional life makes no exception. In this article, we analyze one way in which AI-based technologies can affect them. In particular, our investigation will focus on affective artificial agents, namely AI-powered software or robotic agents designed to interact with us in affectively salient ways. We build upon the existing literature on affective artifacts with the aim of providing an original analysis of affective artificial agents and their distinctive (...) features. We argue that, unlike comparatively low-tech affective artifacts, affective artificial agents display a specific form of agency, which prevents them from being perceived by their users as extensions of their selves. In addition to this, we claim that their functioning crucially depends on the simulation of human-like emotion-driven behavior and requires a distinctive form of transparency—we call it emotional transparency—that might give rise to ethical and normative tensions. (shrink)

The movement has great significance for all philosophical problems, both metaphysical and epistemological. In the first part of this article I would like to show how Patočka takes up some theoretical knots of this problem in four essays on Aristotle. These texts explain movement as a fundamental ontological factor. They therefore link it to ontology. In the second part, however, I will use a contribution by Chiurazzi to show that the same theme was in fact also present in the ancient (...) thought of Plato, who was criticised by Aristotle. In the conclusion, I will try to summarise some common ideas about movement, all of which confirm the centrality of a dynamic ontology, and show the richness of the consequences of this approach. One of the most important results is that the basis of movement coincides with what makes life itself possible. In this way, dynamis becomes the very basis of reality itself. (shrink)